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    Home
    Magazine
    The Violence of Love
    Spring 2021
    ,
    NO
    27
    Stylized brown bird feeding three smaller birds with a background of abstract green shapes.
    The Case for Meekness
    Before 2020, society overwhelmingly agreed: using violence for political ends ought to be out of bounds.
    Peter Mommsen
    From the Editor

    Featured

    Protester with umbrella and gas mask next to a person in riot gear holding a shield near metal barricades at night.
    Behind the Black Umbrellas
    A Portlander talks with the black-clad anarchists and Proud Boys battling in his hometown.
    Patrick Tomassi
    Dispatch
    Stylized black and red knight on horseback charging with lance aimed at a dragon breathing fire.
    Beyond Pacifism
    To be a Christian means serving as a soldier. This is no mere metaphor.
    Eberhard Arnold
    Essay
    Warm-toned painting of a mother tenderly leaning over a baby lying on a textured surface.
    The Risk of Gentleness
    I was shocked to find I was pregnant during a pandemic. Then I learned how subversive hospitality can be.
    Gracy Olmstead
    Essay
    Close-up detailed painting of a man's face with textured brown and white highlights on a cracked white background.
    With Love We Shall Force Our Brothers
    Peace is not quiet. The work of creating peace requires confrontation with the forces that undermine it.
    Anthony M. Barr
    Essay
    Two people walking up steps toward large banners with swastika symbols in a stylized black and white image.
    We Will Not Be Silent
    With an entire nation blindly following an evil leader, where did a handful of students find the courage to resist?
    Andrea Grosso Ciponte
    Comic
    Young girl wearing a blue hijab with a yellow headband resting on her arms at a desk with a pen and notebook.
    Call to Prayer, Call to Bread
    Eighteen years among Somali Muslims in the Horn of Africa taught an American Christian much about prayer.
    Rachel Pieh Jones
    Personal History

    From the Editor

    Brown stylized bird feeding four smaller birds with open beaks against a light green background.
    The Case for Meekness
    Before 2020, society overwhelmingly agreed: using violence for political ends ought to be out of bounds.
    Peter Mommsen
    From the Editor

    Insights

    Impressionist painting of a vibrant sunset with radiant sun, colorful clouds, and silhouetted trees on hills.
    Militant Peacemaking
    Pacifism is unrealistic – unless it’s conformed to Christ.
    Stanley Hauerwas
    Reading
    Close-up of a man's serious face with short hair against a teal blurred background.
    Did You Kill Anyone?
    I was ready for that question, the biggest and most intimidating. It would hang as an ominous backdrop to nearly every conversation about my time in Iraq.
    Scott Beauchamp
    Reading
    Collage of vintage newspaper clippings about German Brotherhood protests and refusal to fight.
    A Life That Answers War
    A Bruderhof member, my grandfather is an ardent conscientious objector to military service. But resistance to war has shaped his entire life.
    Scott Button
    Essay
    Rubble-strewn vacant lot with graffiti-covered walls and red dashed lines encircling areas on the ground.
    The Great Escape
    For those trapped in the violence of poverty, rap tells heroic tales of breaking free.
    Zito Madu
    Essay
    Backlit silhouette of a person standing in a dimly lit industrial or gym space with light rays behind.
    The Minimalist
    The boxer to beat calls for help.
    Springs Toledo
    Personal History

    Web Exclusives

    Man with glasses and beige shirt standing with arms crossed in front of a building with a cross.
    Forgiving Judas
    The patient work of reconciliation.
    Denise Uwimana
    Colorful vector-style portrait of an elderly man with glasses, gray hair, and a beard on teal background.
    Suffering with God
    The prophetic legacy of Abraham Joshua Heschel.
    Susannah Heschel
    Abstract illustration of five elongated figures holding signs with a stylized white 'TJ' on brown background.
    Is Human Life Always Sacred?
    What Peter Singer got right that C. S. Lewis and John Paul II got wrong
    Charles E. Moore
    Essay

    Arts & Letters

    Close-up of cracked ice covering soil and fallen dry leaves in natural outdoor setting.
    Poem: “March Thaw”
    Overhead, skeins of geese ya-honk as they pass. / The dwindling snow crust, an eggshell of glass,
    Catherine Tufariello
    Poem
    Girl wearing a mask and colorful striped pants walks by wall with a tree shadow and her shadow.
    Poem: “Candid”
    Someone she loved, and who loved her, held the camera / And pointed it suddenly, teasing. The focus is blurred.
    Catherine Tufariello
    Poem
    Close-up of a weathered angel statue's head and wings against a sunset sky.
    Poem: “Annuals”
    When we go limp and brown, for mercy’s sake / leave us alone; don’t mangle our last shoots / to press in any book; we have no stake / in memory.
    Rhina P. Espaillat
    Poem
    Window with sheer white floral curtains beside partially visible dark patterned curtain.
    Poem: “The Widow Offers Herself to Life”
    Make me your herald, Life: send me ahead / to hail you, as the earliest light is doing / for each day, and the scent of coffee brewing.
    Rhina P. Espaillat
    Poem
    Abstract close-up of a woman's face with eyes closed, textured with black and orange brush strokes.
    Poem: “Mary Magdalen Responds to the Harsh Judge”
    Be honest, please: I long to know / why judging others makes you glad: / does my uncleanness make you sad, / or lift you high as I am low?
    Rhina P. Espaillat
    Poem
    Raindrops on a car side mirror reflecting blurry light during a dark rainy scene.
    Poem: “In Retrospect”
    What did he need to prove, / to no one but himself? What made him so / harsh with himself when others found him better— no, best—at everything? We’ll never know.
    Rhina P. Espaillat
    Poem
    Young girl in a white checkered dress looking back while standing on a sunlit concrete path.
    Poem: “A Backward Look”
    Some of us turned out much like Mama, though / a silent “No!” / crept into every dialogue, and kept / some secrets swept / into dark corners.
    Rhina P. Espaillat
    Poem
    Pink and white roses with green leaves and thorns on stems against a light background.
    Poem: “Where Nectar Was”
    Thinking of you, all day I rediscover / myself still here, wondering where you went.
    Rhina P. Espaillat
    Poem
    Close-up of an elderly woman resting her face on her hand, smiling gently.
    Poetry You Can Touch
    Plough’s poetry editor speaks with poet Rhina P. Espaillat, who recently turned eighty-nine.
    A. M. Juster
    Rhina P. Espaillat
    Interview
    Book cover for 'Charis in the World of Wonder' by Marly Youmans with colorful text and illustrations.
    Editors’ Picks: Charis in the World of Wonders
    Joy Clarkson reviews Marly Youmans’s Charis in the World of Wonders: A Novel.
    Joy Marie Clarkson
    Review
    Book cover of The Reindeer Chronicles by Judith D. Schwartz with snowy landscape and reindeer herd.
    Editors’ Picks: The Reindeer Chronicles
    David R. Montgomery reviews Judith D. Schwartz’s The Reindeer Chronicles And Other Inspiring Stories of Working with Nature to Heal the Earth.
    Review
    Book cover titled I Ain't Marching Anymore by Chris Lombardi with a military helmet hanging in the center.
    Editors’ Picks: I Ain’t Marching Anymore
    Bill Galvin reviews Chris Lombardi’s I Ain’t Marching Anymore: Dissenters, Deserters, and Objectors to America’s Wars.
    Review
    Book cover for Floaters by Martín Espada showing a black-and-white photo of three people on a porch.
    Editors’ Picks: “Floaters”
    Sheryl Luna reviews Martín Espada’s Floaters: Poems.
    Review
    Muted image of bound sheep legs with text: The Violence of Love on Plough Quarterly cover.
    The Violence of Love
    Spring 2021
    Buy this Issue
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    Contributors

    Rhina Espaillat
    Rhina Espaillat
    Springs Toledo
    Springs Toledo
    Stanley Hauerwas
    Stanley Hauerwas
    See All

    Departments

    Watercolor portrait of a young man with light hair near a river with a covered wooden bridge and boat.
    Felix Manz
    Those on the river bank heard Felix sing, his voice echoing back toward Anna’s. His final words were of unwavering faith.
    Susannah Black Roberts
    Jason Landsel
    Forerunner
    Family of seven sitting together on the floor, including a woman holding a swaddled baby wrapped in a pink blanket.
    Learning Generosity in Syria
    I used to believe the fundamental premise of charity was material, that those who have more wealth than others share with those who lack. Then refugees taught me the meaning of true hospitality.
    Family and Friends
    Smiling elderly woman with white hair and glasses wearing a red shawl in a cozy room.
    A Tireless Peacemaker
    A co-founder of the Basisgemeinde, Lore was tireless both within her community and on a broader scale, caring for the homeless, fighting for tenants’ rights, and witnessing to the peacemaking of the gospel.
    Family and Friends
    Outdoor market scene with wooden sign, booth under white canopy, small wooden building, and people talking nearby.
    Turning a Corner
    Amid the pandemic, a farm stand is born.
    Maureen Swinger
    Community Snapshot
    Cover of Plough Quarterly magazine titled The Violence of Love with intertwined sheep hooves illustration.
    Covering the Cover: The Violence of Love
    To represent the Violence of Love on our Quarterly cover, we chose a detail from an Agnus Dei by the Spanish painter Francisco de Zurbarán.
    Rosalind Stevenson
    Covering the Cover

      Back Issues

      Baseball on dirt field with text 'Searching for the Soul of America' and article titles on green background.
      Searching for the Soul of America

      How should America celebrate 250 years?

      Summer 2026
      After Religion
      What comes after religion?
      Spring 2026
      Snowy landscape with tall pine trees, a rocky hill, and a misty castle silhouetted in the background.
      The Call of Beauty
      Beauty holds out a promise, but can we trust it?
      Winter 2026
      Cover of Plough magazine with dense dark green foliage and starry night sky with circular constellations.
      The Supernatural
      All that is seen and unseen
      Autumn 2025
        See All

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