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    Home
    Magazine
    The Welcome Table
    Spring 2019
    ,
    NO
    20
    Man in a straw hat eating bread in a dry field while two others walk behind him among sparse vegetation.
    This Is My Body
    From the Last Supper to meals in immigrant detention centers, meals eaten in desperation end up being memorable.
    Edwidge Danticat
    Essay

    Featured

    Black and white woodcut-style close-up of a clenched hand holding wheat stalks.
    The Ground of Hospitality
    Saint Phocas understood he would have to give himself to the land in return.
    Norman Wirzba
    Essay
    People planting trees in a large field with green hills and scattered trees in the background.
    Beating the Big Dry
    An Australian cattle farm fights drought by reviving ancient landscapes.
    Interview
    Elderly man in a light shirt outdoors, smiling and clapping with trees and hills in the background.
    What I Stand For Is What I Stand On
    What Wendell Berry stands on, quite literally, is dirt.
    Jeffrey Bilbro
    Review
    Person draped in black sitting alone on stone steps beside a historic stone building at night.
    The Necessity of Reverence
    Conversion is a grace, but we must cultivate a pilgrim’s eye for beauty.
    Sister Dominic Mary Heath, OP
    Essay
    Round birthday cake with white icing, colorful sprinkles, and letter candles spelling HAPPY BIRTHDAY.
    The Birthday Party at the End of the World
    South Sudan, Baltimore, and the lived realities of food insecurity.
    Matthew Loftus
    Essay
    Plate with figs, grapes, boiled eggs, cheese, almonds, olives, prosciutto, and bacon on a dark tabletop.
    Feasting in Kurdistan
    Feasting in Kurdistan has made me reconsider the Last Supper.
    Marilyn R. Gardner
    Essay

    From the Editor

    Still life painting of bread, cheese, and sliced sausage on a wooden surface against a gray background.
    From Farm to Feast
    If shared with radical hospitality, every meal is a taste of the feast to come.
    Peter Mommsen
    From the Editor

    Insights

    Watercolor of a farmer with a hat fitting a harness on a horse beside a plow in a field.
    How Shall We Farm?

    To the question, “How shall we farm?” must be added the question, “How shall we live?”

    Philip Britts
    Essay
    Raw leg of lamb on a dark surface with garlic, herbs, chili, peppercorns, and coarse salt.
    The Greatest Thing Since Sliced Bread
    Highly processed carbs can seem like an apt representation of human fallenness.
    Sarah Ruden
    Essay
    An elephant standing in a grassy field surrounded by grazing cows under a blue sky.
    Cows and Elephants
    Alongside wildlife, pastoralists and livestock have shaped the Kenyan landscape for centuries.
    Essay
    Four people standing in a field holding baskets full of freshly picked leafy green vegetables.
    Streams in the Desert
    The early mortality rate is dropping steeply, and that’s justice.
    Richard Joyner
    Dispatch
    Family seated around a low table eating a meal with various dishes and chopsticks.
    At the Welcome Table I
    Breaking bread around the world: Plough asked five friends in five places to share what hospitality looks and tastes like.
    Dispatch
    Four women and two children in colorful clothing sitting outdoors eating food from plates on a mat.
    At the Welcome Table II
    Breaking bread around the world: Plough asked five friends in five places to share what hospitality looks and tastes like.
    Dispatch
    Abstract painting of five curved shapes in blue, red, and green with black accents on a beige background.
    Love Is Work
    Working together with others is the best way to test our faith.
    Eberhard Arnold
    Inklings
    Child in pink shirt looking up with half the face illuminated and the rest in darkness.
    Why Yemen Starves
    The making of a modern famine
    Report

    Arts & Letters

    Colorful painting of diverse people gathered around a table with food and bread being shared.
    Table Fellowship
    Sieger Köder’s interpretations of innocent suffering have a clarity born in his experience of war.
    Another View
    Shelf with several old books, some open, some closed, with bookmarks and ribbons visible.
    Digging Deeper: Issue 20
    A list of books to stir the culinary soul
    Digging Deeper
    Boy and elderly man holding hands walking on a path surrounded by birds and wild boars in a forest.
    A Book to End All Walls
    Korea’s demilitarized zone has become an accidental nature preserve that gives hope for a brighter future.
    Uk-Bae Lee
    Chungyon Won
    Interview
    Calm water body surrounded by dense green trees and tall reeds under a cloudy sky.
    Restoring a Creek
    Working with nature, the creek has rebounded and begin to show hints of what it must once have been like before European settlement.
    Report
    Close-up of a ceramic plate with a wide crack repaired using gold in a kintsugi style.
    Cloth and Cup
    Then there’s the cup with / the stained crack. Your favorite.
    Luci Shaw
    Poem
    Close-up of weathered wood texture with blue-gray and brown tones showing cracks and grain patterns.
    The Dead Breed Beauty
    Today, a falcon cruising above the river. / Dippers, pure grey, about the size of a dove, / splashing in and out of the water in bursts …
    Poem
    Side view painting of a vintage metal hand plane with wooden handles on a dark surface.
    Level
    The carpenter’s son is dying.
    Elizabeth Genovise
    Fiction
    Cover of Plough Quarterly with bread, cheese, and meat on a wooden board titled The Welcome Table.
    The Welcome Table
    Spring 2019
    Buy this Issue
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    Contributors

    Edwidge Danticat
    Edwidge Danticat
    Luci Shaw
    Luci Shaw
    Elizabeth Genovise
    Elizabeth Genovise
    See All

    Departments

    Covers of three books: Why They Can't Write, Solitary by Albert Woodfox, and Solito, Solita on youth refugees.
    Editors’ Picks Issue 20
    Plough’s editors share their best reads of recent weeks.
    Sam Hine
    Editors’ Pick
    Man in blue shirt using hand planer on wood at a workbench in a woodworking shop.
    Family and Friends: Issue 20
    News from Plough’s family and friends around the world.
    Family and Friends
    Young boy in yellow shirt and cap petting a brown calf eating from a trough by a wooden fence.
    The Boy and the Bull
    It started out as a character-building exercise.
    Maureen Swinger
    Community Snapshot
    Watercolor portrait of smiling elderly woman with white hair and an ornate earring against a sky background.
    Edna Lewis
    Meet Edna Lewis, the chef, author, and activist who brought the Virginian home-cooking of her childhood to New York City.
    Jason Landsel
    Forerunner
    Painting of a loaf of bread, two small sausages, and a wedge of cheese on a wooden surface.
    Covering the Cover: The Welcome Table
    Artist Michael Naples painted the striking cover for the spring issue of Plough Quarterly – “The Welcome Table”.
    Rosalind Stevenson
    Covering the Cover

      Back Issues

      Baseball on dirt field with text 'Searching for the Soul of America' and article titles on green background.
      Searching for the Soul of America

      How should America celebrate 250 years?

      Summer 2026
      After Religion
      What comes after religion?
      Spring 2026
      Snowy landscape with tall pine trees, a rocky hill, and a misty castle silhouetted in the background.
      The Call of Beauty
      Beauty holds out a promise, but can we trust it?
      Winter 2026
      Cover of Plough magazine with dense dark green foliage and starry night sky with circular constellations.
      The Supernatural
      All that is seen and unseen
      Autumn 2025
        See All

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