About the Book

This ingenious novel, described by critics as a coda to his bestselling Laurus, is presented as a chronicle of an island from medieval to modern times. The island is not on the map, but it is real beyond doubt. It cannot be found in history books, yet the events are painfully recognizable. The monastic chroniclers dutifully narrate events they witness: quests for power, betrayals, civil wars, pandemics, droughts, invasions, innovations, and revolutions. The entries mostly seem objective, but at least one monk simultaneously drafts and hides a “true” history, to be discovered centuries later. And why has someone snipped out a key prophesy about the island’s fate?

These chronicles receive commentary today from an elderly couple who are the island’s former rulers. Prince Parfeny and Princess Ksenia are truly extraordinary: they are now 347 years old. Eyewitnesses to much of their island’s turbulent history, they offer sharp-eyed observations on the changing flow of time and their people’s persistent delusions. Why is the royal couple still alive? Would the missing prophesy shed any light?

In the tradition of Umberto Eco’s The Name of the Rose, Julian Barnes’s A History of the World in 10 1/2 Chapters, and Kazuo Ishiguro’s The Buried Giant, Vodolazkin is at his best recasting history, in all its hubris and horror, by finding the humor in its absurdity. For readers with an appetite for more than a dry, rational, scientific view of what motivates, divides, and unites people, A History of the Island conjures a world still suffused with mystical powers.

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Praise

A History re-envisions the tragic irony in the “forward march.” For every supposedly shiny progress, what shadowy cost remains untallied?

Joshua Hren, Church Life Journal

Quirky, whimsical, funny, and yet also devastatingly critical of the past century or more of Russian history, with its generations of oppressive leaders and of suffering people, with no redemption yet in sight—except maybe on this island.

Patheos

Tragedy and farce commingle in Vodolazkin’s protracted fable about the uses and abuses of history. The narrative is framed as a chronicle of a fictitious island nation with annotations from deposed monarchs Parfeny and Ksenia, who, at 347 years old in the present day, have witnessed many of the events described.

Publishers Weekly

Compelling reading: brilliantly vivid and inventive, it combines magical-realist mischief with a compassionate, radically Christian perspective on the self-destroying idiocies of human history and political posturing. A masterpiece by one of Europe’s finest contemporary novelists.

Rowan Williams, former Archbishop of Canterbury

The title describes the form of this novel: the history of an island state, recorded contemporaneously by a succession of monks. The chronicle is interspersed with commentary by its sometime rulers, Prince Parfeny and Princess Ksenia, and this postmodern conceit is blended with a dose of magical realism (think Umberto Eco meets Mikhail Bulgakov) by means of which the royal couple age much slower than normal.

The Church Times, UK

A History of the Island powerfully demonstrates the constructed nature of historical narratives and shows the dangers of a single dominating story. …Though the original novel was published two years before the invasion, the history of the imaginary island, echoing those of medieval Rus’, the Soviet Union, and the Russian Federation, becomes an ever more poignant allegory for these histories and the real discontinuities they present.

Venya Gushchin, Full Stop

Eugene Vodolazkin’s A History of the Island skewers all pretentious claims about history as a grand and noble march toward a bright future where Important People will usher in democracy and freedom for all. And it manages to be downright funny while doing so.

Jeffrey Bilbro, Current Magazine

Vodolazkin ironizes on the way this history is constantly being rewritten, according to each current political era.

Irish Sun

Ukrainian-born writer Eugene Vodolazkin takes up this myth of the hereditary ruler as the holy and righteous protector of the people and sets it at the center of an investigation into the nature of history and time... Vodolazkin once again makes the case for living in the present, this time on a grander scale.

Fare Forward Magazine

Beyond a simple allegorical reading, A History of the Island reminds readers in a darkly entertaining way to question the foundational assumptions in any project of history-building.

Full Stop

Vodolazkin’s novels are wildly experimental, and A History of the Island is his most ambitious novel to date. Transmuting old facts and fables into fresh fiction, Vodolazkin is a literary alchemist whose novels invite us to think like medievals and mystics in the modern wasteland.

Law & Liberty

Vodolazkin’s history of the “island” hilariously skewers our pretensions to originality. … He is at his funniest when he fights fire with ironic fire. No matter who governs the island’s post-medieval government and no matter what their reigning ideology, we’ve seen it all before; we know the ignominy, brutality, and absurdity in which it will end. … However, as Vodolazkin recognizes, satire’s function is to clear away the drivel, to make way for something else.

Aaron Weinacht, Front Porch Republic

Dostoevskyan

First Things

A History of the Island is Vodolazkin’s latest novel to be translated into English and the most overtly concerned with the idea of history. … Italo Calvino might be the nearest cousin to Vodolazkin. Kazuo Ishiguro’s The Buried Giant, a quasi-allegorical tale of Britian, present and past, might be the nearest thing I’ve read to A History of the Island. … The book is a formal success because of its narrative strategy: the monk’s chronicle, able to reveal meaning where modern scientific history cannot.

Jonathan Geltner, author, Absolute Music

Eugene Vodolazkin, a Ukrainian writer who lives in Russia, is known throughout Eastern Europe and beyond for being a wise and decent voice. A modern Tolstoy or Dostoevsky, perhaps? Perhaps time will tell.

Hearts and Minds Bookstore

Vodolazkin is a contemporary writer only as by accident of time; …He is more of a medieval than a modern, and many of the paradoxes that perplex us today are, in his hands, playthings. He juggles his symbols dexterously, weaving an airborne pattern that we thrill to follow, and then just when we begin to feel rather clever for seeing what he is doing, he slips in a line gently mocking us.

The European Conservative

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