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CheckoutIn a downward view of the four of us,
Each body would have become
An arm on a separate compass,
Our feet all toward the central stairs,
Unlit, but still some pale light wobbled
On the walls of that aquarium
Of sleep, in that museum-cold,
Quiet house. I fumbled for the thermostat,
Found instead the splay-legged chairs,
Poured some milk, and sat
Next to where you must have been
Not half an hour before –
I found your cup by the sink when
I was rinsing mine;
If we’d met there, we couldn’t have said more
Than those glasses on the counter like a sign,
Like votives with the wicks burned through:
As she left, someday so will you.
From your bed, you probably heard
The bolt you’d turned, turning again
As I re-closed the blinds and checked the lock
For no good reason – nothing wanted in,
Not the pod of clouds in the waves
Of breeze, not the bushes flocked
White with frost, gathered
By the door. I turned the heat up, although I knew
You’d been up to turn it down –
Was it just something to do, one of the ways
You made your own thin current?
I was anxious to catch up with you,
To sleep, to shed what dragged me then.
Around, inside, I felt the darkness
Thicken, and I drank it in. I could have drowned
In our own element,
But felt instead the mattress
Curving to my shape. Clock needles spun
North and south again;
I watched the changing glow
On the ceiling of a night indoors.
It passed; magenta slid from sky to wall,
Then morning washed my room in yellow,
I pushed out as from a shore
Through the doorway that shone
White as flame around a wick
And came down
Because I thought I heard your call;
I thought I heard low music.
This poem was shortlisted for the Rhina Espaillat Poetry Award in 2021. Find out more details and how to enter your poems.
Susan Mettes is an associate editor for Christianity Today magazine and has written dozens of articles for Christianity Today and other publications.
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